120V Rail Headphone Monitoring Amplifier
“It’s really impressive how the Phonitor 2 manages to keep the tone intact even at high pressure sound levels showing no ear fatigue and no problem in unleashing all the dynamics present in the source or in the song you’re listening to.”
Francesco Donadel Campbell, Headphones and around
Headphone Monitoring Amplifier
When we brought out the first Phonitor back in 2008, the professional audio world seemed to have been eagerly awaiting it. The success of this unique headphone preamp was overwhelming. It combined a monitoring controller with a headphone amplifier that had provisions that made it possible to reliably mix on headphones. Ever since we call this new species a „Headphone Monitoring Amp,“ which inspired the product name itself: Phonitor.
Interestingly enough, the Phonitor not only became best friends with thousand of professional users, it also won a lot of fans in the Hi-Fi community.
But that was by no means a coincidence — ultimately, the Phonitor can be counted among the best headphone preamps in the world thanks to our unique 120V Rail technology. With its exceptional technical specifications and a huge power margin, it can reproduce any musical material without the slightest modification. Hearing fatigue is drastically reduced. Given all that, it was easy to understand the enthusiasm with which musicians, sound engineers and music lovers received the Phonitor worldwide.
Phonitor 2
Many Phonitor users told us they wished they could also use the unmatched signal quality that the Phonitor provides to feed their speakers. The Phonitor 2 is a full-fledged stereo preamp that could become the heart of modern professional and home systems alike where headphones have a preeminent importance. Moreover, we have achieved enormous advances with our 120V Rail Technology, making the technical specifications of the Phonitor 2 a new standard in all respects: 141dB dynamic range, 107dB signal-to-noise ratio, -112/-114 dB THD (headphone/speaker output with +30dBu output level). Mind you, the THD measurements define the limits of the measuring equipment but not those of the Phonitor 2.
The Phonitor 2 remains first and foremost a headphone preamp, which is easy to identify given the elaborate loudspeaker simulation for headphones. It works seamlessly with low-impedance headphones with load impedances as low as 10 Ohm (40 Ohm with balanced headphones).
If there is the need for more than one stereo speaker set, we recommended to use our passive switcher called the Expansion Rack.
Aural Magnifier
Already for the headphone monitoring – or phonitoring – part alone, the Phonitor 2 encompasses advantages of both kinds of traditional monitoring methods: On one hand the analytical headphone monitoring is like working with an acoustic magnifier but without external room influences; on the other hand, loudspeaker simulation allows for monitoring which forgoes the microscopic effect, but provides for room ambiance. Working with the magnifier effect of headphones has the advantage of safely hearing clicks or similar defects and helps in fine tuning crossfades or to judge tonal problems in individual tracks. On loudspeakers such analyses are much more difficult, as such problems just are not as apparent when one is working without being able to “zoom in” aurally. Conversely, loudspeakers provide monitoring with the advantage of spatial balance in a (definable through placement) stereo width, which in turn provides the illusion of an acoustic stage.
Traditional headphone reproduction produces one 180-degree stereo width in the middle of the head, and it is exactly this which creates the very problematic-to-impossible headphone mixing environment. An essential reason for such unnatural ambiance is the complete separation of the channels, which does not exist either in natural hearing or in stereo loudspeaker reproduction. This makes it nearly impossible to judge tonal balance, a stereo image and the phantom center level. Panorama adjustments as well as related EQ settings that one attempts with headphones, typically just do not function on loudspeakers. Moreover, what is often called the “super stereo effect” with headphones usually creates a great deal of ear fatigue in the long run. Over loudspeakers the sound stage is felt in front, while in contrast, when monitoring through headphones, the stage is present on the left and on the right – but frontal and rear information is lost.
Beyond the Standard
Already for the headphone monitoring – or phonitoring – part alone, the Phonitor 2 encompasses advantages of both kinds of traditional monitoring methods: On one hand the analytical headphone monitoring is like working with an acoustic magnifier but without external room influences; on the other hand, loudspeaker simulation allows for monitoring which forgoes the microscopic effect, but provides for room ambiance. Working with the magnifier effect of headphones has the advantage of safely hearing clicks or similar defects and helps in fine tuning crossfades or to judge tonal problems in individual tracks. On loudspeakers such analyses are much more difficult, as such problems just are not as apparent when one is working without being able to “zoom in” aurally. Conversely, loudspeakers provide monitoring with the advantage of spatial balance in a (definable through placement) stereo width, which in turn provides the illusion of an acoustic stage.
Traditional headphone reproduction produces one 180-degree stereo width in the middle of the head, and it is exactly this which creates the very problematic-to-impossible headphone mixing environment. An essential reason for such unnatural ambiance is the complete separation of the channels, which does not exist either in natural hearing or in stereo loudspeaker reproduction. This makes it nearly impossible to judge tonal balance, a stereo image and the phantom center level. Panorama adjustments as well as related EQ settings that one attempts with headphones, typically just do not function on loudspeakers. Moreover, what is often called the “super stereo effect” with headphones usually creates a great deal of ear fatigue in the long run. Over loudspeakers the sound stage is felt in front, while in contrast, when monitoring through headphones, the stage is present on the left and on the right – but frontal and rear information is lost.
120V DC Audio Rail
The Phonitor 2 is the first unit to employ the 2nd generation of our 120V OPs with improved specifications once again. They have Signal To Noise Ratio of 116dB and offer a nearly 34dB headroom – that yields an unequalled 150dB dynamic range.
The Phonitor 2’s OPs cannot be stressed in the most stressful circumstances, and for precisely this reason its musical sound is always relaxed and spacious. All frequencies are reproduced in balance, basses are stable and tight, mids are clear and differentiated and highs remain transparent and soft. Particularly striking is the fact that you can easily listen to every detail. Hearing fatigue makes it usually harder to carefully listen to and understand complex signals over a long period of time. The Phonitor 2 reverses this situation turning it into a pleasant listening experience that leaves you longing for more.
Applications
- Stereo preamplification and headphone amplification for three sources
- High-quality music playback at home
- Central monitoring unit in professional environments with all classic features like phase reverse, solo, mono
- Re-Amping (for example, level boost after analog master processing)
- Headphone amplifier for all headphone systems and impedances
- Loudspeaker simulation with headphones
- Monitoring alternative in studios and mobile units
- Adjustment of headphone playback to match familiar monitor speakers
- Mobile reproduction of usual monitoring conditions
Remote Control
To control the volume you can use any IR remote control: the Phonitor 2 learns your remote’s signal. Please take a look at the video manual in video and manual sections for detailed information on how to pair the Phonitor 2 with your remote.
IDR 33.642.000
